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| Romy the Cat's
personal site dedicated to advanced audio and evolved music reproduction
techniques
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Actually I care less about the design philosophy in this case but rather about the result. Obviously the 150W-200W (200W?) of Zarathustra’s pure class A would be completely useless for my horns. I would like to have something to drive with that amp a...
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[quote user="Paul S"] I really would not know where to start with most of the crap out there, since most commercial SS sounds like it makes "music" by inhaling it. But I've heard "acceptable" units from those listed, albeit in some poor environ...
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[quote user="Ali Hassan"]
I give you an association: fat american with to much money and no brain sit in dreary shack by side of road trying to fill every desperate hour with something to give his life meaning. He listens to half ass designs ...
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If you remember it was the way how it started: HELP: I’m a line-level looser.Then there was this one: The ultimate buffer – light in the end of a tunneland course then it lead to the following: Reviewing preamps by imbeciles.it is r...
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Hi Romy, but I am simply curious that your Designed-&-Made-Yourself
have always had the flavour of the names and places from A Hundred
Years of Solitude ... Macondo the village, Melquiades the gypsy ... so
why the departue now to Zarathustra? ...
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Hm, this is interesting. I have fixed one of my B2 power amps. It works very nice but the most important is that it looks like I have found a local technician who actually can do the job.
When I got a problem with my second bough B2 I called ...
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Since I am now in the Super Zarathustra conceptualization mode am paying attention to the hybrids out there.
http://www.goodsoundclub.com/TreeItem.aspx?postID=2362
I still do not see any interesting Class “A” hybrids but it looks like regular AB hy...
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Let start from the largest drivers and go down. There are larger then 18” drivers (23” and 30”) but looking at this magnet structures I do not find them serious. I addition to make the 23” cone stiff enough requires a lot of diaphragm’s mass or to us...
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The history of stereophonic sound
1881 - Clement Adler at the Paris Electrical Exhibition put "a series of 80 telephone transmitters across the stage at the Paris Opera and connected them by wires to telephone receivers in a suite of four rooms" in ...
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